A life at full gallop.
From the first acrobatics to the world’s great arenas. A life of work, invention and trust with horses.
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A LANGUAGE OF HIS OWN
Lorenzo.
The creator. The original.
Since his first creations in 1989, Lorenzo has developed an equestrian language of his own. He imagines the figures, composes the trajectories and connects the movements in living choreography, refined over more than thirty-five years.
The Cross, the Wave, the PAF, the High Jump: each idea grows through years of research and trust with the horses. Behind the images that stay with an audience is an artist who keeps inventing.
Lorenzo claims authorship of his artistic and choreographic creations and intends to defend them against unauthorised copying.
Black & White · Through Heini Heitz’s lens
A life at full gallop.
From his first acrobatics on the beaches of the Camargue to performances with sixteen horses at liberty, Lorenzo has built an international career by constantly developing his equestrian language. High Jump, Action, Emotion, Black & White: behind the images that captivate an audience lies a life of work, invention and trust with horses.
A child who looked higher.
Before the tours, the great arenas and the ovations, there was a little Camargue horse: Niasque.
1977
Born in 1977, Laurent grows up in Saintes-Maries-de-la-Mer, between the marshes, the arena and the beach. Niasque, the family horse, was there before he was born. On his back, Laurent discovers his first passion: vaulting, long before he begins standing on several horses. He rides bareback, turns around and experiments. His brother Julien follows the competitive route; Laurent searches for another way of being on horseback.
The Camargue is his first playground. Still a child, he performs at ferrades, the traditional gatherings of Camargue life, and then in the arenas. His mother says he is “clowning around on horseback”. Italian visitors call out, “Eh, Lorenzo!” The name sticks. Laurent soon becomes Lorenzo: his stage name is born beside the arena.
1989
At twelve, with Tarzan, the adventure gathers pace. Performances in local arenas and across the south of France allow him to buy his own horses, one by one. His mother, Babeth, supports those early shows and journeys. With money earned in the arena, he can finally afford a third horse and begin jumping with three horses abreast. He has no saddle; he rides bareback. The obstacles are made from whatever pieces of wood he can find.
1990
Levens, in the Alpes-Maritimes, is one of the first venues to place its trust in him. He returns on at least four occasions during his career.
1991
He appears as a vaulter in the Gipsy Kings’ video for Baila Me.
Gipsy Kings · Baila Me 1991
Official video on YouTube ↗1992
Christian Lacroix designs his stage shirts, which become part of the image of the rider standing on his horses.
Europe opens its doors.
These dates mark a few highlights among the many performances of a career. Countless other shows and encounters have also shaped the story.
1993
The High Jump takes flight: the horses pass beneath a bar, Lorenzo clears it and lands standing on their backs. It becomes one of his signature images. The Wave brings four horses to a double obstacle; they jump in succession to recreate the rolling motion of a wave. He appears on Zapper n’est pas jouer, a French television game show on France 3.
1994
The Wave features on 40° à l’ombre, France 3’s summer entertainment programme.
1995
Shoulder problems prevent him from vaulting before his first Equitana in Essen. He concentrates on Roman riding, jumps with three horses abreast, the High Jump and a four-horse Wave. Their success opens the way to Verona, Stockholm and London. In Britain he is given the name “The Flying Frenchman”. From 1995, that nickname follows the figure who flies above his horses.
Since that first invitation, he has appeared at around fourteen editions of Equitana: regularly between 1995 and 2005, then at every edition through to 2025, allowing for the Covid interruption and the postponement from 2021 to 2022.
The same year begins lasting relationships with Fieracavalli in Verona, Italy, which welcomes him at least ten times, and with Olympia in London and Stockholm in Sweden, with at least five appearances each. He also returns to Vienna, Austria, four times from this period onwards.
On 11 December 1995, at eighteen, he receives a vocation grant from the Fondation Bleustein-Blanchet at the Théâtre Marigny. The foundation gives financial and personal support to young people already committed to a calling. For Lorenzo, it is early recognition of his chosen life: creating equestrian performance.
1996
January brings the Crinières d’Or at Cheval Passion in Avignon, followed by his French baccalauréat with honours. Touring is already part of his life. Alongside Equitana, Cheval Passion becomes a defining stage in his recognition: he appears at at least seven editions of the Crinières d’Or from that first invitation.
One invention leads to another.
1997
International showjumping is already setting the rhythm of his tours. Lorenzo performs at a series of Volvo World Cup events; in February, the Bordeaux press celebrates this young performer who is becoming familiar with major arenas.
In September, Lorenzo and his horses cross the Atlantic to Spruce Meadows in Calgary, Canada. At twenty, the Camargue rider steps onto a larger stage with figures born from his experiments at home. Penrith, in England, first welcomes him that year; he returns for at least five editions.
1998
With six horses, the Wave grows in scale. The crossed slalom is presented in Béziers and then in Vienna, Austria, in the same year.
In Hanover, Germany, a long relationship begins with Pferd & Jagd and its Nacht der Pferde, leading to at least eight appearances. Each new invitation gives Lorenzo another reason to push his work further.
The Oslo Horse Show in Norway welcomes him for the first time. He appears at four editions: 1998, 2005, 2016 and 2024.
1999
The tours reach Spain. SICAB in Seville becomes a regular appointment, with at least seven appearances from this first visit. Munich, Germany, also welcomes him from 1999, leading to at least four visits over the years.
2000
At Cheval Passion, the Cross clears a double obstacle. The arena becomes a space that can be crossed along several paths at once.
The CSI in Vigo, Spain, welcomes him for the first time; he returns for at least six editions. Other relationships begin too: Fascination Pferd in Nuremberg, Germany, with at least five appearances, Leipzig with three, and Jumping Mechelen in Belgium with at least four.
2001
Lorenzo takes part in Le Prince. Shared projects and new encounters also help his creations evolve.
2002
He creates the PAF, first presented the following year: six horses, three paths and a synchronised jump.
The Calgary journey also marks the end of Niasque’s performing career. Another stage begins with the horses who take over from his first partner.
Inventing the obstacles too.
2003
The PAF enters the arena. To give the Wave the image of the sea, Lorenzo designs inflatable wave-shaped obstacles. He wants his horses to seem to leap over water. He also develops a rapid inflation system so they can unfold in time with the performance. His invention extends from the horses’ movement to the setting itself.
On 7 and 8 March, he performs in Herning, Denmark, for Dansk Varmblod for the first time. That encounter leads to four appearances, through to the Show Night at the 2022 World Championships.
In June, after Le Prince, Lorenzo and Jean-François Pignon share the bill for Le Pardon in La Bégude-de-Mazenc. These joint performances are among the encounters that feed his creative work.
The Game Fair, with at least four appearances, and Equestria in Tarbes, with three, also become part of his story in 2003.
In November, Le Pardon meets the audience at Equita Lyon, which welcomes him at least four times between 2003 and 2022.
From Action to Emotion.
2004
Franconville welcomes him for the first time and invites him back for at least five events. In Germany, Hansepferd in Hamburg also begins a relationship that leads to three appearances.
2005
On 1 January, his creations reach the Sultanate of Oman. Then, at the Crinières d’Or, Lorenzo presents Emotion with four mares entirely free of tack. After the speed and tension of Action, he explores presence, listening and freedom. The performance seems to breathe differently. His research soon expands to eight horses.
With Roubia and Raiana, the High Jump is reinvented at liberty, built on years of working together. Each horse has a name, a character and particular strengths. They shape the act as much as he trains them. Every new possibility begins with that knowledge of one another.
In 2005, he cannot yet afford to establish his base in the Camargue. A property bought at auction in Austria immediately gives him room to train his horses. The large house needs restoring: he renovates it himself and creates a place to live and work.
Atmosphère Mistral, a documentary filmed around the Saintes-Maries-de-la-Mer performance and broadcast on Equidia in 2005, follows the preparations and the life surrounding them. News reports on France 2 and France 3 also follow his journey.
During his years in Austria, Mario Luraschi’s production company hires Lorenzo to handle the horses at liberty in a Chinese commercial filmed in the Italian mountains. On location, he prepares and guides them to gallop along the paths required by the director.
The commission calls on the same precision as his performances, applied to the demands of filming. Creating an impression of freedom while giving the movement a direction is another skill his experience brings to film and advertising crews.
Images that travel.
2006
From 2006, Obatala’s video carries his world across the internet. The images travel far beyond the arenas: La Provence reports eight million views in its edition of 15 January 2011.
Lorenzo, Actes Sud, 2006. With a foreword by Thierry Lhermitte, his first book opens the doors to an adventure that began on a little Camargue horse. Luisina Dessagne’s writing and Robin Hasta Luego’s photographs reveal the horses, the work and the momentum behind his creations: the Wave, the Cross, the PAF and the arrival of liberty work. A chance to meet the man behind the image of the Flying Frenchman.
2006 / Meeting Lorenzo, the free man
Directed by Stéphane Roland and produced by Obatala, this documentary of around ninety minutes follows Lorenzo from training in the Camargue to performances in Stockholm and Oman. It shows how feats of skill lead to a more personal search: working with horses at liberty, without bits or reins.
The audience discovers the man at work, his dreams, his patience and the trust he builds with his mares. The film is selected for the official programme of the Épona festival in 2006.
La Nuit du Cheval in Paris first welcomes him in 2006, beginning a relationship that spans at least four editions. La Cense also puts its trust in him that year, with further appearances in 2013 and 2025.
This period opens other doors too. After performing at La Cense, he is invited to visit its American facilities in Montana. An invitation to Las Vegas from one of the founders of Cirque du Soleil broadens his horizons again.
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Sharing the arena. Expanding the adventure.
2007
On 17 June, Lorenzo performs at the Prix du Président de la République at Paris-Vincennes. He also appears in Saint Petersburg, Russia.
From this year until 2008, Lorenzo joins selected dates of Apassionata, Grand Voyage as a guest performer. He brings his two signatures: the jumps of Action, standing on his horses, and the liberty choreography of Emotion. Music, dance and equestrian art meet in a collective adventure that remains a treasured chapter of his career.
2008
Saint Petersburg invites him back: two successive years with Russian audiences. In Amman, Jordan, he performs before Princess Alia Al Hussein.
At the Printemps des Écuyers, Lorenzo first shares the arena with the Cadre noir of Saumur. He is invited on three occasions, in 2008, 2012 and 2026. Performing alongside this renowned institution of French classical horsemanship is an important recognition for him. His energy and freedom of invention meet the écuyers’ precision and tradition. The encounter brings another kind of emotion: very different styles finding a common language through the horse.
The Great Yorkshire Show first welcomes him to Harrogate, England. He returns for five editions between 2008 and 2023.
In Morocco, he takes part in the first Salon du Cheval in El Jadida and also performs in Tangier. El Jadida invites him back for five editions. With Tangier and Rabat in 2025, his Moroccan journey includes at least seven events.
The Apassionata adventure takes him to twelve German cities, another way to share his creations over the course of a tour.
The cameras open new doors.
2008
In November, he travels to Terengganu, Malaysia, for the opening of the FEI World Endurance Championships, in a ceremony attended by around fifty thousand spectators.
On 16 November, Sept à Huit, TF1’s current-affairs programme, broadcasts Laurent Briot’s report on Lorenzo. It takes viewers behind the scenes of his work, between the power of Action and the freedom of Emotion.
2009
On 27 September, Direct 8’s animal programme Les Animaux de la 8 broadcasts a thirty-minute report on Lorenzo in the Camargue. It is shown again in 2010 and on C8 in 2025. Training, stable life and work in the marshes reveal what happens beyond the performance.
2010
On 26 June, ADN – Accélérateur de neurones, France 2’s discovery programme presented by Sébastien Folin, broadcasts a report on his work with horses at liberty, filmed in Saintes-Maries-de-la-Mer in April.
In late July and early August, Lorenzo performs in Moscow, Russia, for the President’s Cup.
2011
In January, Emotion brings twelve horses together at liberty in Avignon: the group grows and the choreography becomes more intricate. A second DVD opens the doors to this new stage of his work.
2011 / Lorenzo 2 — The Free Man
The second DVD, made by Pröll Film, continues the story between Austria and the Camargue. Across seasons, training sessions and performances, it follows the evolution of Lorenzo’s work with his horses. This documentary of around sixty minutes gives viewers time to discover what happens before he enters the arena.
A thirty-minute bonus takes viewers backstage at a performance in Wrocław, Poland, in 2010. The DVD records a stage in the repertoire and brings the emotion of the performance into the home.
Official recognition
Chantal Jouanno, then Minister for Sport, presents Lorenzo with the Gold Medal for Youth and Sport in recognition of his sporting career. The ceremony takes place in the presence of Roland Chassain, Mayor of Les Saintes-Maries-de-la-Mer. This distinction recognises a life devoted to equestrian performance, combining sporting commitment and artistic invention.
France’s Got Talent
Before the jury. Close to his horses.
2012
Lorenzo returns to the Cadre noir of Saumur for the Printemps des Écuyers. From 31 August to 2 September, he takes part in the Donbass Tour in Ukraine. Getting there by truck with the horses is an adventure in itself. He meets the musicians of Symfomania; the idea of inviting them to Cheval Passion grows from that encounter. Equidia’s equestrian series Rêve de randonnée also features him that year.
On 20 November, M6’s television talent show La France a un incroyable talent brings a memorable encounter with a wider public. In the fifth audition episode of season seven, Lorenzo performs before Dave, Sophie Edelstein and Gilbert Rozon. The challenge is to fit his key figures into less than two minutes. PAF, Wave, crossed slalom and crossed jump follow one another before the cameras. Challenge met.
Movement becomes choreography.
2013
At Cheval Passion, with the Ukrainian musicians of Symfomania, Lorenzo brings Action and Emotion together in one performance with his white horses. A powerful jump can lead into a quieter sequence, then gather momentum again. At Equitana, the liberty group now numbers sixteen white horses.
In 2013, eight young black mares arrive from the Ortigão Costa stud in Portugal. Their first appearance in Saintes-Maries-de-la-Mer hints at a project still taking shape. The combined act already exists; black and white open a new horizon.
From 2013, he gradually returns to the Camargue. The marshes become the anchor for his creative work once again. The Brazilian channel Canal Rural, with journalist Renata Maron, also comes to meet him.
2014
In January, Paris-Vincennes brings Action and Emotion together in a major show. In March, Lorenzo performs in Bahrain as part of Mara’ee. Backstage, he notices a collection of flags, takes two and improvises a lap of the arena: the Flags act is born. It develops with four then six horses, horses holding still and jumps over obstacles.
In July, at Harrogate in England, white horses at liberty move behind the guided horses in Action’s figures for the first time. The combination becomes choreography.
He then takes part in the opening of the World Equestrian Games in Caen before performing on Red Square in Moscow, Russia. It is an extraordinary stage, in a place that fascinates him. TF1’s evening news also follows his story.
2015
On 19 February, Lorenzo takes part in Pure Emotion, the opening ceremony of the Emir’s International Equestrian Festival near Doha, Qatar. In March, Black & White unfolds at Equitana. The contrasting colours help the audience follow each group and see that every horse knows where to go. The Brazilian equestrian programme Cavalos Crioulos also devotes a report to him.
In Brazil, at the invitation of Patricia Opik and Agromaripa, he also discovers Mangalarga Marchador horses. An encounter with breeder Marcelo Batista de Oliveira leads to a ride through remote parts of the country. A Brazilian television crew later spends several days with him in the Camargue.
Sixteen horses. New possibilities.
2016
In January in Avignon, eight white and eight black horses perform together at liberty.
In the Spin, the outer horses accelerate around those that act as pivots. In the Comb, black and white weave head to tail. The Comb then unfolds like an Accordion to form the Solo: the horses walk one behind another, guided from a distance, along a serpentine or a circle. One image gives rise to another.
In June, Balve Optimum in Germany welcomes him for the first time, leading to four appearances through to 2026.
For the 2016 Feria du Cheval in Saintes-Maries-de-la-Mer, he gathers driftwood trunks from the beach. He places them at the heart of the arena and presents the Square configuration for the first time, with black horses crossing behind. Double jumps, crossings and changes of direction give Action and liberty work new ground to explore together.
In September in Šamorín, Slovakia, Lorenzo performs at the World Endurance Championships. His act is broadcast live on national television before distinguished guests from the Gulf states. The scale of the occasion and the intensity of live television make it a particularly memorable moment in his career.
That year, TF1’s documentary programme Grands Reportages features him in Les 4 saisons en Camargue; Equestrian Life continues that television presence on Equidia.
Life with the horses brings surprises of its own: the strong-willed mare Samarina gives birth to healthy twins.
Lorenzo and the Tambours du Bronx · Villepinte, 2017
Life moves forward. So does the performance.
2017
Lorenzo becomes a father: the birth of his first daughter opens a new chapter in his private life.
In Saintes-Maries-de-la-Mer, his sixteen-horse tableaux become more varied. The press describes a new formation combining four carrying horses and twelve guided horses. The repertoire keeps developing.
The landscape of the Square must also travel to other arenas. Lorenzo develops artificial trunks to recreate the appearance of driftwood. The first pieces are too large and too heavy; he revises the shapes, materials and fittings until the setting becomes easier to transport.
In the autumn, he returns to the Gala d’Oro in Verona, Italy, and to Munich, Germany. At La Nuit du Cheval in Villepinte in November, he shares the arena with the Tambours du Bronx: their percussion matches the energy of the horses.
2018
On 28 January, he performs in the opening parade of the Grand Prix d’Amérique at Paris-Vincennes. At this prestigious trotting event, his horses bring the stands a different kind of emotion, shaped by freedom and gallop. The racecourse has welcomed him on at least three occasions, including 2007 and 2014.
On 9 and 10 March, he returns to Herning, Denmark, with the artificial-trunk Square. Valence Jumping welcomes him for the first time in August; he returns in 2019 and 2021. In December, he performs again at the Nacht der Pferde in Hanover, Germany.
2019
From 22 to 24 March, Lorenzo presents L’Envol at the Saut Hermès. Beneath the glass roof of the Grand Palais in the heart of Paris, the invitation from Hermès has a special resonance. Dressed entirely by the house, he discovers a stage unlike any he has known before. His twelve Lusitanos share the arena with violinist Nathalie Shaw and a live string orchestra. Saint-Saëns, Arvo Pärt and Ravel accompany this meeting of live music and equine movement.
2020
The birth of his second daughter brings another source of happiness into his life.
From the arena to the cinema.
2021
Mario Luraschi introduces Lorenzo to the producers of Tempête, directed by Christian Duguay. Lorenzo joins the production in 2021, training the horses at liberty for the beach scenes.
More than 700,000 admissions in French cinemas. Released on 21 December 2022, Tempête brings the horses’ freedom to the big screen.Box-office source
Having grown up on the beaches of the Camargue, Lorenzo finds familiar elements in Normandy: sand, sea and horses at liberty. The vast beaches impress him, but he feels at home there. He returns twice for filming, adapting the horses’ movements to the director’s intentions. The landscape changes scale; his connection with the horses remains his point of reference.
On 7 August, Lorenzo presents the High Jump PAF for the first time in Saintes-Maries-de-la-Mer. He clears the high bar while four other horses jump on either side. The leap becomes a shared composition.
A body of work to share.
2022
In 2022, he joins Mario Luraschi for the Fascination tour in France’s Zénith arenas. As a special guest, he adapts Black & White to eight horses to suit the arenas and backstage spaces. Sharing the tour with a master of equestrian performance, stunts and film whom he deeply admires is an honour. Luraschi later writes the foreword to Black & White.
On 13 August, he takes part in the Show Night at the World Championships in Herning, Denmark. Tempête, for which he trained the horses at liberty on the beach, is released in cinemas that year.
2023
Black & White, Actes Sud, 2023. Three years of work, including the Covid period, lead to this book with a foreword by Mario Luraschi. With photographs by Heini Heitz and interviews by Luisina Dessagne, it tells the story of a body of work that has grown through shared effort: the horses’ personalities, the choreography, the journeys and the creative search that connects black with white.
2024
Leer, Germany, welcomes him for the first time. Each return is a chance to develop another idea: three successive appearances in 2024, 2025 and 2026.
He returns to the Oslo Horse Show in Norway. In December, at the London International Horse Show in the United Kingdom, he meets Princess Anne.
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Still creating.
2025
In January in Leer, Germany, the Square becomes illuminated for the first time. In March at Equitana, Lorenzo presents the Double High Jump: two jumps in succession.
On 31 May and 1 June, he performs in Rabat, Morocco, for the Trophée Hassan II of traditional equestrian arts. On 20 August, Rêve d’enfant en Camargue welcomes him to the Nîmes arena: the first illuminated tubes enter the performance, extending the idea of the illuminated Square.
In December, he returns to Hanover, Germany, as guest of honour for the thirtieth anniversary of the Nacht der Pferde, at the fair now called Passion Pferd. It is another milestone in a relationship that began in 1998. He also returns to La Nuit du Cheval in Paris.
2026
The illuminated tubes become modular: they can move to the edge of the arena or gather at its centre in a square. Repeat invitations, including those from Leer, continue to inspire this ongoing creative work.
From 24 to 26 April, Lorenzo returns to the Cadre noir of Saumur for his third Printemps des Écuyers invitation. On 14 August, the Nîmes arena hosts Lorenzo and Friends. In Lunel, he has now performed three times since his first visit in 2021.
His artistic ambition is to make sixteen horses at liberty, eight white and eight black, a regular performance format. The truck can carry only sixteen horses, leaving no room for a substitute. Their colours, their positions on the left or right and each horse’s strengths all require careful preparation to sustain this performance over time.
IMAGES THAT TELL THE STORY
Exceptional encounters.
From international arenas to royal occasions: a few memorable encounters from a life on tour. Each photograph records a particular moment in that journey.
Collection Lorenzo
Collection LorenzoCollection Lorenzo
Collection Lorenzo
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Lorenzo archive
Lorenzo archiveTRUST THAT GROWS OVER TIME
Invited. Then invited back.
A career is also measured in lasting relationships. These are some of the many stages that have welcomed Lorenzo, then invited him back with new creations.
And so many other stages: Spruce Meadows in Calgary, the Saut Hermès, and ceremonies in Oman, Malaysia, Qatar and Bahrain. Three invitations from the Cadre noir of Saumur mark this journey: 2008, 2012 and 2026.
On the road · The horses beside the tour truck
Roads, seas and skies.
Thirty-one countries. Horses, a team and images that cross borders.
International showjumping is a major part of Lorenzo’s touring life for many years. Alongside champions and great competitions, his horses open a space for performance. The horizons then multiply: horse fairs, galas, special productions, ceremonies and private occasions. From a small circle of guests to packed grandstands, each setting offers another way to meet an audience.
By truck, by sea and by air, the horses travel with him from country to country. The miles become hard to count; the memories remain. Crossing borders, taking ferries and leaving for unknown arenas make touring a life shared with the horses and the team. Then the music begins, and after all that travelling, the arena opens before them again.
The Camargue as a starting point
France, Germany, Austria, Belgium, Croatia, Denmark, Spain, Finland, Greece, Hungary, Ireland, Italy, Norway, the Netherlands, Poland, Portugal, Czechia, the United Kingdom, Slovakia, Slovenia, Sweden, Switzerland, Ukraine and Russia: Lorenzo’s performances have travelled through twenty-four European countries in the geographical sense.
Canada, the Sultanate of Oman, Jordan, Morocco, Malaysia, Bahrain and Qatar carry that journey beyond Europe.
His journey also includes a private performance for the Aga Khan and a show for the eightieth anniversary of the Domaine Paul Ricard in Méjanes. The latter takes place in the open Camargue landscape and begins among the bulls: another form of performance, close to the land he comes from.
An ambassador for the Camargue.
Les Saintes: creating for his home audience
In Saintes-Maries-de-la-Mer, Lorenzo appears at at least fourteen editions of the Feria du Cheval from 1996, alongside other performances in his home town. As at Cheval Passion, every return matters. This audience has watched him grow, knows his work and expects him to keep developing it. That loyalty feeds his desire to invent. New figures, combinations of horses and settings extend the conversation over the years. Returning to Les Saintes means finding his people again and showing them how far the journey has taken him.
In the arena, mayor Roland Chassain and the elected representatives celebrate his talent, his loyalty to Les Saintes and the Camargue he carries around the world. Standing on his horses, Lorenzo also flies the Camargue flag, a visible expression of his attachment to home.
Passing it on: another path
A father since 2017, Lorenzo also hopes to introduce his daughters gently to the art of standing on horses. That wish helps inspire the Lorenzo Voltige Academy. He runs it with a whole team, working with children, enthusiasts and athletes on balance, confidence, artistic expression and their connection with the horse.
This work develops alongside Lorenzo International Horse Show as a separate activity. Performances, touring and creation continue; passing on his skills adds another path to the adventure.
Vaulting, his first passion, becomes a way to teach and inspire others. The Academy trains champions too: several of its young students have already won French championship titles.
LORENZO STUDIO AI
A life, in songs.
LORENZO STUDIO AI
Thank you, Mum
Lorenzo’s tribute to his mother, her presence and the bond between them. Drawing on his own life, this song turns gratitude into a way of saying thank you.
LORENZO STUDIO AI
Sarah
Through Sarah’s life, Lorenzo tells his own story too: the journeys, the performances and the years they shared on the road. He wrote the song as two intertwined life stories, that of a horse and the artist beside her.